Today we worked on all the usual suspects (warmup, tegatane, hanasu) but then focussed in on #1 of hanasu and looked at variations that pop up throughout the system. First we played with the shortened timing of the third technique in yonkata, working on stepping off the railroad tracks and raising the arm to put a post against uke right when he finishes his down motion. From this place, uke pretty much can only move away and if tori is in step he can project uke away.
Then we worked on the wrist-and-elbow grab from the beginning of Goshin Jitsu. The one in which tori kicks uke's knee to stop him for a moment then releases all the way around uke. This is a creepy feeling for uke because tori gives the appearance of nearly teleporting from uke's left front to his rear right corner. But it's just a big variation of #1 wrist release.
From here we moved for a moment into hiktaoshi from nijusan with the emphasis of sidestepping when you run forward into uke's power. This was not exactly #1 release, but it leads to #1 release - just stay with me for a minute. When you move forward into the nijusan offbalance for hikitaoshi and uke stops your momentum, you create two lines in space, one is the line you were travelling on, which you know is no good now. The other is the line that uke is on, which you nkow is where he is strong enough to stop you. You don't want to be on either of these linse so you switch hands and sidestep off the lines into a dead space for uke. Like I said, not exactly #1 but it gives a great example of releasing a bad situation.
Finally we worked on oshitaoshi as a neat example of both this sidestepping at the end of the line motion and the release #1 motion. As you sling apart from uke, slip sideways as the line snaps taut and you are automatically in a weaker place for uke. Cool. Things you can do with the first release we learn.
